The Leaving by Peter Madden, 2008
Auckland-based artist Peter Madden gleans found images from old encyclopedias, back issues of National Geographic, and nature books to create his dense and nearly psychedelic collages suspended in perspex, also known as ‘safety glass’. Of his work Madden says “I consider myself a ‘Sculptographer’; a ‘post-conceptual photographer’. A mediator between genres and dimensions, between you, the other and I. I suppose I am an altogether different collagist, maybe a collagist of difference.” To see much more of his three dimensional work, check out this gallery.
changing behaviour with fun. we call it, fun theory :)

UAS dan kamera CCTV
dari alisnaik
- Kemiskinan bakal lenyap. Tak ada lagi orang miskin, pengemis, gelandangan, tiada anak jalanan di mana pun di dunia ini. Setiap negara akan punya museum kemiskinan, dan museum kemiskinan global akan terletak di negara yang paling akhir menghapuskan kemiskinan secara tuntas.
- Semua orang akan…


